On the live music front lately:
I caught Run for Cover, a DC tradition where local bands remake themselves into crack cover bands for a one-night-only benefit show. These musicians knew, too, what make cover bands work as entertainment: complete knowledge of the material and total commitment to it. After all, making fun of the music is only funny if you're playing it properly. Otherwise, you're just being lame. Confession: I saw Bon Jovi in high school when Extreme opened for them at Great Woods outside of Boston. I might have thought the music was cheesy, but they were excellent performers because they knew how to put on a show...and it was the same thing with my friends David Brown and David Durst of Poor but Sexy who were part of the covering band. The Runaways and the Top Gun reenactment were also great; sad I missed Casper Bangs leading the Bee Gees finale though.
Tinted Windows (a "supergroup" - a term I hate more and more), in contrast, excelled at playing OK filler songs. Maybe if they'd stuck to covering songs by each of their bands - Cheap Trick, Smashing Pumpkins, Hanson, and Fountains of Wayne? The only upshot to the evening: US Royalty, the openers, who were worth seeing again.
I don't have plans to see any other live music at that moment, but I am trying to produce my first show for FMC's conference in a few months. I know booking shows and audio and marketing and budgets to varying degress, but putting it all together is new and a little scary since I'm trying not to lose money and put on a show from scratch, i.e. not in an existing venue. But then what's to worry about? It's not like the concert business is losing so much money that they're giving away tickets for free? Hah.