Sunday, November 23, 2008

In Pictures

I've recently become a fan of the Flickr Photo Blog - check out these shots from the Flatiron group, snow, or these peephole fisheye lens shots. There's this fascinating motherlode from the Life magazine archive, courtesy The Daily Dish. Those blue leaves are alas not mine, but still gorgeous (from Bostonist). Also, in addition to being such a cool cat, I didn't realize my old friend/roommate Mike Powers from my Stainerd days in Allston was such a great photographer.

Speaking of blasts from the past, check out Cassettes from my Ex. It's getting turned into a book soon but without the music (huh?), which means the blog with the songs posted is a much better way to check out this project. I have mixtapes but none from my exes, but maybe you do? They're collecting stories for the book so if you have one, drop me a line and I'll send on the directions.

There's some crazy statistic about how many fictional acts of violence we witness in a typical year if you watch an average amount of television. You can't help but become somewhat immune to it. That's why Danny Boyle's new "Slumdog Millionaire" was unique: I felt the enormity of the little violence there was. That's, of course, also the mark of good filmmaking: caring about the characters and what happens to them.

Anyway, "Slumdog Millionaire" was thoroughly enjoyable and had no song and dance numbers, for those of you averse, except for the ironic one at the end that felt like it was out of Dirty Dancing via Bollywood. I don't think it's a spoiler to say that boy meets girl, lots and lots of adversity happens, boy gets girl at the end. Even though you know that five minutes in, it's still a fun afternoon.

The End. (Hat tip to Boing Boing).

Thursday, November 13, 2008

True North

Weather VaneA few years ago Sarah Vowell pointed out this truism in "The Nerd Voice", an essay in "Partly Cloudy Patriot": it's the height of uncool to like learning in this country. The cool kids copy eachother's homework and are distinguished by how well they're able to get away with it. After high school, of course, the geeks all find each other and realize that they live more interesting lives anyway, but for 12 years, we live with the idea that you have to hide being interested in the past, the future and the world around you.

Welcome to Graduation Day Redux, boys and girls.

That's one of the developments I'm most looking forward to since the night DC exploded into cheers and honks and screams and high-fives and hugs: the geeks are out and proud again.

Two remarks that struck a cord:
  • As I walked to the White House the night of the election, the crowd was chanting "Pack yo' shit! Pack yo' shit! Pack yo' shit!"
  • My friend Emily's facebook status the next day: "Food tastes better, drinks are stronger, steps lighter, strangers nicer. It's like Mr. Rogers neighborhood."

  • As hopeful as I am about the coming four years, I'm dismayed to see the successful and accomplished Michelle Obama further morph in the public eye into mommy, fashion icon, and supportive wife. Hopefully, the fact that her husband seems to understand the compromises she's made will make a difference in domestic policy.

    In other explosive stuff, I keep coming across examples of high speed photography of stuff while it's exploding - vases with flowers, teddy bears and balloons. Beautiful.

    Also, I finally cleaned out my Netflix stash when I watched The Triplets of Belleville. It was a charming if occasionally slow animated film about a French kid who grows up into a Tour de France bike racer who gets kidnapped and later rescued by his grandmother and three fading stars of the French stage. The best part: when the tough, crusty, French grannies all turn out to be expert percussionists who play bicycle rims, newspapers, and their shoes with equal ease. It was beautifully rendered in an over-the-top caricature. Check out the trailer.

    Monday, November 3, 2008

    Inside Baseball

    The job that I moved to DC for was a tele-fundraising gig. I never made a single call, but I managed other people in their calls to raise money for various progressive causes. I'll admit to being a chickenshit - the fear of mean strangers on the other end of the line does me in - so it only seems a fair comeuppance that I made some calls for Obama over the last week. For all my skittishness though, they went really well. The first round of calls was to potential volunteers who were so pleased to hear from the campaign and eager to help. The second round was to NH voters who'd probably been taking these calls for weeks. The only notable call was to a woman who said she wasn't going to vote, maybe because I called for her ex-husband? Was it something I said?

    I am indubitably and undoubtedly obsessed with the election. Between the current frenzy and Richard Ben Cramer's "What It Takes", my life has been taken over by one election or another. No wonder I'm watching Alias Season 4 for fun.

    "What It Takes" is an inside-baseball look at Bush I, Dole, Dukakis, Gephardt, Hart, and Biden, their 1988 Presidential campaigns, and the modern political process. Reading it has been akin to watching the elections play out from both sides of the looking glass: 1988 from inside the election with a candidates-eye-view and 2008 from outside the election albeit from the most plugged in place in the country and in a time when it's easier to be plugged in. I'm more than ready to move on, but it's been fascinating getting a fuller picture of the characters in the play, many of whom are still around.

    I now need something thoroughly frivolous to read. Maybe I'll catch up on my unread Buffy Season 8 comic books or Y: The Last Man?

    In other randomness, I caught DC's High Heel Race and went to a couple of Halloween parties, including Puck's birthday party, but I punked out of putting together a real Halloween costume this year. Got a fabulous idea in waiting for future years though.

    I leave you with this awesomeness. Off to distract myself and see Federal Reserve Collective tonight...toodles.

    Thursday, October 30, 2008

    Vegging

    Black CrowesOne of the interesting challenges that came out of the Hindu funeral I was at a few weeks ago is that I was told I had to be vegetarian for two weeks. While I'm a committed omnivore, I'm often accidentally vegetarian, so the change hasn't been difficult with the exception of takeout lunches. Good vegetarian sandwiches aren't easy to find and salad bars get expensive, so I've been cooking more than usual for the leftover lunches.

    In thinking about it, here's what I'd miss if I decided to be vegetarian: all the various pork products - especially bacon and all the deli meats that go into Italian subs and muffalettas - and the very occasional burger. I don't eat any of those delicious things often, but how I'd miss them all...*sigh*...I'm making myself hungry. OK, no more food talk.

    Caught The Black Crowes during their 3-night stand at the 930 Club last week. It brought back fond memories of the first time I saw them with my then boyfriend, an overly sensitive, Jesus-lookalike, drummer. This time around, it was just the rock if you please. They totally killed it...and without feathers, any overly-self-indulgent solos, banter, or opener to warm up the crowd, just two and a half hours of the Crowes. They played a third of their set from new material which wasn't as strong as the older tunes, but it didn't detract at all. They had a couple of gospel-esque back-up singers who I wish they'd used more. The crowd went wild over "Remedy" and I got to hear a few tracks off my favorite allbum Amorica (i.e. the album with the cover straight outta Hustler). Something about the Southern-tinged rock always leaves me feeling relaxed and refreshed.

    In other non-election news, stuff I've been enjoying lately:
  • Feeling slightly less like a modern jackass when reading about the financial crisis now that I've listened to this and understand what "breaking the buck" means.

  • The awesome occasional mixes by the boys at Shilo Presents: #4 and #5

  • Patrick Smith @ Salon does a weekly column called Ask the Pilot about airplanes, air travel, airports, you get the picture. This post on airports, hedgehogs and poverty especially moved me.

  • Being something of a map fanatic, I found this fascinating.

  • Calexico's "Two Silver Trees"
  • Wednesday, October 22, 2008

    Kaleidoscope

    Mt. Auburn CemetaryIt's been a distinctly schizophrenic few weeks.

    After the frenzy of our New York events, I took a very necessary and relaxing vacation for a few days. But then I got word that I needed to be in Boston for a wake and funeral this weekend which put everything back into overdrive.

    I've only been to one other Hindu funeral and so I find that I look on the rites themselves more from an anthropological perspective. The ceremony featured a yogi who took one of the nearest family members of the deceased through the rites while stopping to explain what she should do at the end of every page. So, apparently neither yogi nor family is obligated to know what to do in advance and it's not considered rude to talk or leave and return throughout the ceremony. Then some songs are sung - none of which I understood - and then you pay your respects by pressing rice into red ink on the deceased's forehead and you leave a flower petal or a flower in the casket.

    One of the handicaps I go into any Indian gathering with these days is that I don't speak much Gujrati and I understand slightly more that that. Still, it was amazing how much more of the language barrier I could bridge after just a day around all the extended Indian family. Not long ago, I got a Bollywood film in Gujrati from Netflix thinking that would help me remember the language - alas the sound recording was so bad that I could barely make out the words and the movie was so incredibly awful that I couldn't watch more than 45 minutes. I'd also forgotten how any outing to eat with Indians always involves many, many requests for hot sauce and crushed red pepper.

    All chattiness aside though, seeing that much distant family at one time was somewhat stressful since at this point I barely remember their names much less how they're related to me. They all seem to know me and chatter on in Gujrati while my mind whirs trying to unearth that word I heard 30 seconds ago that came after my name. My 26 hours in Boston also featured a lot of smiling and nodding to random pronouncements on how I was now responsible for whatever, which was helpfully communicated in English. No questions about an impending marriage, but someone did opine that a boyfriend was keeping me from getting in touch more often.

    Of course, it was set against the very prominent backdrop of a funeral with all the grief and solemnity that accompany them. That made all the things that I normally would've laughed off feel more like an opportunity to go hang out in a cloud of mosquitos. Combined with very little sleep before and during and flight complications along the way, my nerves were pretty fried and my brain felt like a kaleidoscope that someone wouldn't stop turning. So as much as I usually love my visits to Boston, I'm glad to be back to my normal life.

    Friday, October 10, 2008

    Beautiful Morning

    It's a Beautiful MorningEverytime I go to New York City, I like it more. The same held true this time when I was there for 36 hours total.

    It was a pretty stressful few weeks in the lead-up with some expensive revelations along the way, but our event worked out well in the end. Lots of people showed up, they seemed to learn a lot and were very appreciative, the panelists were smart and personable, no fistfights broke out over webcasting rates, the cocktail party was beautifully done and tasty, the panel on sampling brought out a new and interesting crowd and no one sued us for breaking their leg on the premises. As I said, all went well.

    Things seen/heard/realized while in NYC:
  • A representative from one of our sponsors sheepishly showed me the (illegal) painted turtles he'd bought in Chinatown the day before. Remember those? I wanted some of those so badly when I was a kid.

  • Double-sided posters: so cool, economical and green!

  • Old Town Bar in Union Square was nearly deserted on Sunday night when I caught the middle innings of the Red Sox-Angels Game 3 with James. Probably 'cause New Yorkers got no one left to root for in October. Poor things. Great burger and a great bar though with a cool history.

  • I missed a chance to eat good bagels, but I had a great Italian dinner at a place that I don't know the name of unfortunately.
  • Anyway, now back and taking a few days off and lovin' it.

    Saturday, October 4, 2008

    Carousel

    A few months ago, one of our summer legal interns, Jenny, and I were talking about interesting, fun, law-student-worthy projects she could do. At the time, a friend had sent me a link to yet another fabulous mix that was distributed illegally. That got me thinking and I posed the following problem to Jenny: how do I legally post a streaming mix "tape" to this blog that includes any song I want?

    Jenny very diligently started researching and took all our ideas of websites that exist in some quasi-legal realm and started piecing the whole thing together. She quickly ran into all sorts of legal bogs and the post is still in mothballs.

    Anyway, I thought of it the other day when I saw that muxtape was planning a revival as a completely different service from the online mixtape service it started as. Muxtape's founder Justin Ouellette writes eloquently about his experiences with the four major label groups and the RIAA when he was trying to negotiate a licensing agreement that might have kept Muxtape alive in its former form.

    Muxtape is only the latest instance of the mainstream music industry biting the hand that feeds it by refusing to embrace and enable the new and then laying blame when those services are popular. They seem to enjoy crying poor. And now that venture capital is getting harder to come by, there will be fewer services for major labels to try to squeeze for cash. Digital Music News takes a good look at the possible venture capital lessons learned from muxtape as well.

    So, inevitable new, cool illegal services + industry reluctant to work with emerging tech = more music available to music fans but less money getting back to the artist and the record company. After a while, artists realize the majors aren't helping their careers and they find more visionary people to help them build music careers. If history is any guide, the major four will hold progressively tighter to their declining revenues and be less likely to work with emerging tech...

    Around the merry-go-round they go...you'd think they'd recognize the view after seeing it a few times?